How Did the Painting the Dance by Henri Mathis Impact Modern Art

"The Parakeet and the Mermaid," 1952–1953 past Henri Matisse. Accompanied by ii works of Yves Klein. Collection: Stedelijk Museum Amsterdam. Paradigm: GJ. van Rooij (CC BY-NC 2.0)

As fine art history tells us, it was American artists such equally Jackson Pollock, Barnett Newman, and Mark Rothko who revolutionized and redefined art in the 1940s and '50s. They pioneered the abstract fine art movement, and paved the manner for nearly gimmicky installation, sculpture, and performance artists we know today. However, some might not realize that the first artistic innovators came even before them. Modernistic fine art started to evolve during the early on 20th century with French movements such as Cubism, led by Pablo Picasso. Just one of the first artists to pace away from traditional painting altogether was French artist Henri Matisse, who led the Fauvism movement in the 1900s.

In the early 1930s, Matisse exhibited his murals titled The Dance at the Barnes Foundation in Philadelphia. The abstract, gestural shapes depicting the human form showed the American art scene a new kind of painting and arguably led to Cubism, Expressionism, and Futurism. Moreover, in the '40s and '50s Matisse stepped away from easel tradition altogether, in favor of large-scale newspaper cut-outs—a large torso of work that inspired many modern abstract artists, and continues to influence artists today.

"From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into information technology similar a animate being that plunges towards the thing it loves."—Henri Matisse.

Who was Henri Matisse?

Considered the greatest colorist of the 20th century and a revolutionary artist who helped define modern fine art, French creative person Henri Matisse commencement emerged as a Postal service-Impressionist. Then, in 1904, he led the Fauvism movement, which is French for "wild beasts." The Les Fauves were a grouping of modern artists who favored pure, bright colors and expressive brushstrokes over realism.

Having besides worked as a draughtsman, printmaker, and sculptor, Matisse's colorful artwork mostly depicted notwithstanding life and the human figure. Confidently rendered in strong, vibrant shapes, he often used the white of his exposed canvas to create low-cal-filled scenes. As he once said, "I don't pigment things. I only pigment the difference betwixt things." As his mode developed, Matisse's depictions became more than abstract and fragmented, until eventually—during his final years—he created work almost exclusively using colorful paper cut-outs.

Henri Matisse'south early work: Fauvism

Lasting just 4 years (1904–1908), the Fauvism movement was led past Matisse and young man French artist, André Derain. Characterized by seemingly wild brushwork and vivid colors, Fauvism could be described visually as a hybrid of Post-Impressionism and Pointillism. Les Fauves painted their subjects with a high degree of brainchild, depicting only basic shapes.

When he was an art student, Matisse was inspired by the teachings of Gustave Moreau, a professor at the École des Beaux-Arts in Paris, and said: "He did not gear up us on the right roads but off the roads. He disturbed our complacency." In 1896, after studying Impressionism, Matisse announced he "couldn't stand it anymore," and abandoned his globe-colored palette for bright Post-Impressionist colors.

Matisse and Pablo Picasso

In 1906, Matisse met Pablo Picasso, and although they became lifelong friends, they were too rivals whose works were often compared. They both often painted the female figure and nevertheless life, just while Picasso painted from his imagination, Matisse drew inspiration from nature. The ii groovy artists were starting time brought together at the Paris salon of Gertrude Stein, an American art collector living in Paris. Stein and her friends collected hundreds of works past Matisse and Picasso, championing them equally major artists and welcoming them into their elite social circumvolve.

Even though the Fauvism motion went into decline later on 1906, Henri Matisse connected to thrive and search for new creative influences. Similar Picasso, Matisse was interested in Primitivism and visited Algeria in 1906 to study African fine art. Similarly, the French artist browsed an exhibition of Islamic art in Munich. And in 1912, Matisse spent 7 months in Kingdom of morocco, where he produced about 24 paintings and numerous drawings. Information technology was during this time that he also began using black paint in his compositions.

In 1917 he relocated to Prissy, France, where he resided for the rest of his life. Fifty-fifty through World State of war 2, during the Nazi-occupation of France. When his son, Pierre, begged him to abscond, he refused and wrote, "If anybody who has any value leaves France, what remains of France?"

"Henri Matisse working on paper cut out." Image: Tullio Saba via Flickr (CC BY-NC 2.0)

"Creativity takes courage."—Henri Matisse.

Matisse's final years: the cut-outs

Diagnosed with intestinal cancer in 1941, Matisse underwent life-changing surgery that left him bound to either his chair or his bed. Painting and making sculptures had go impossible physical challenges, then he developed an expressive new technique. Committed to form and colour, he picked up a pair of scissors and began creating paper-cut collages, which would later be known as "cut-outs."

With the assist of his assistants, Matisse would cut abstract shapes from sheets pre-painted in colorful shades of gouache. The artist would and so adapt them into lively compositions. Initially, the early on pieces were small in size, but eventually, they grew into murals or room-sized works. The upshot was a groundbreaking fine art course that was not quite painting, but not quite sculpture, and became his signature medium for the last decade of his life. Today, the work of Matisse's final creative triumph continues to inspire contemporary artists all over the earth.

This article has been edited and updated.

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